This photograph is of my great-niece Leah and is from spring 2016. I mention the date from the outset because it feels like a much older image. The portrait is part of a project In This Place which revisits a 1994 documentary series Family – a fairly personal project involving my late sister and her three children.

Following my sister’s death in 2008 I felt a slight disconnection, especially from her grandchildren that I wanted to repair. Photography has allowed me into so many peoples’ lives so perhaps it is what I turn to for help – it is the excuse, the reason, and the justification to be there. Or at least a possibility, an entry point to grow from.  I hoped to become increasingly involved in their world again and become part of their furniture like before. Over the years, I had observed their life trajectories. I wanted to understand the social, economic and psychological reasons for where they now found themselves in 2015 when I restarted the work.

Over time and many discussions, I started working on updating the 1994 work with my large extended family. The original work focused on three children but now they had grown up and had seven children between them.

This is a portrait of one of them. Of Leah.

I photographed Leah by asking her to go for a walk with me. I wanted the image to be in a place of significance. I often walk with people; I find it both relaxing and insightful. That day, our walk led us to the back of the flats as we made our way back to her home. And with that walk and pause, this image tells more of Leah and her life than other images from that day. It shows exactly the environment she lives in, sees and passes through on a daily basis.

In many ways she looks older than her 10 years but she is also just a child, finding her way into being a teenager. In looking at this image, it felt like not much had changed in over 20 years since the first project. Yet change was evident: the children were adults with children of their own  (Leah wasn’t even born) and the location had changed. But really this was only a bus ride across town from one area scoring high in the Scottish Index of Multiple Deprivation to another.

This portrait sits well in the overall project, which is fundamentally a story of people and place; of people’s lives – what they do and what they want. Alongside my personal connection sits a larger narrative on social mobility and aspects of opportunity, environment and the cycle of inequality across three generations. Essentially, it asks questions about choice – do we have choices in life or are some predetermined or made for us?

The ‘place’ from In This Place is both mental and physical; where we put ourselves and where we are put, sometimes by others and sometimes by circumstance. What puts us there, what keeps us there, and do we want to be there?

Leah on this day wanted to be exactly where she was.